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The problem occurs because the Red Book does not require block-accurate addressing during seeking. In the context of digital audio extraction from compact discs, seek jitter causes extracted audio samples to be doubled-up or skipped entirely if the Compact Disc drive re-seeks. Some CD ripping software is specifically intended to provide an especially accurate or 'secure' rip, including Exact Audio Copy, cdda2wav, CDex and cdparanoia. Some all-in-one ripping programs can simplify the entire process by ripping and burning the audio to disc in one step, possibly re-encoding the audio on-the-fly in the process.

Some will try to identify the disc being ripped by looking up network services like AMG's LASSO, FreeDB, Gracenote's CDDB, GD3 or MusicBrainz, or attempt text extraction if CD-Text has been stored.

The MP3 file format, for example, allows tags with title, artist, album and track number information. Most ripping programs will assist in tagging the encoded files with metadata. They may also be played back in a media player program on a computer. The encoded files are more compact and are suitable for playback on digital audio players. The extracted audio can then be encoded with a lossy codec like MP3, Vorbis, WMA or AAC. Design Īs an intermediate step, some ripping programs save the extracted audio in a lossless format such as WAV, FLAC, or even raw PCM audio. The Jargon File entry for rip notes that the term originated in Amiga slang, where it referred to the extraction of multimedia content from program data. This suits most users who simply want to store their music on a memory stick, MP3 player or portable hard disk and listen to it on any PC or compatible device. Windows Media Player's default behavior is to add copy protection measures to ripped music, with a disclaimer that if this is not done, the end user is held entirely accountable for what is done with their music. This is not yet entirely true even with some current digital music delivery mechanisms, there are considerable restrictions on what an end user can do with their paid for (and therefore personally licensed) audio. As time progressed, most music publishers became more open to the idea that since individuals had bought the music, they should be able to create a copy for their own personal use on their own computer. In the early days of computer CD-ROM drives and audio compression mechanisms (such as MP2), CD ripping was considered undesirable by copyright holders, with some attempting to retrofit copy protection into the simple ISO9660 standard.

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